{"id":141,"date":"2004-05-13T09:06:35","date_gmt":"2004-05-13T16:06:35","guid":{"rendered":"http:\/\/www.doubleperf.com\/blog\/archives\/2004\/05\/13\/the_conan_jump.html"},"modified":"2008-12-21T19:43:47","modified_gmt":"2008-12-22T02:43:47","slug":"the_conan_jump","status":"publish","type":"post","link":"http:\/\/www.doubleperf.com\/blog\/archives\/2004\/05\/13\/the_conan_jump.html","title":{"rendered":"The Conan Jump"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"sl_marquee.jpg\" src=\"http:\/\/www.doubleperf.com\/blog\/wp-content\/uploads\/2004\/05\/13\/sl_marquee.jpg\" width=\"180\" height=\"75\" border=\"0\" align=\"right\" \/><a title=\"Sondre Lerche - official website\" href=\"http:\/\/www.sondrelerche.com\/\">Sondre Lerche<\/a> played a terrific set at the Paradise last night, supported by, &#8220;for the first time ever, comma, in the City of Boston,&#8221; his band the Faces Down.  It was the fourth time I&#8217;ve seen him, and the first time it was anything more than an energetic acoustic set.  The band brought a great dimension to his songs, and it was a pleasure to listen to their re-imaginings of the material from &#8220;Faces Down.&#8221;  I don&#8217;t have the <A HREF=\"http:\/\/www.sondrelerche.com\/discography_show.asp?show=dontbeshallow\">EP<\/A> or his new <A HREF=\"http:\/\/www.sondrelerche.com\/discography_show.asp?show=twm\">full-length album<\/A> (note the <a title=\"Sondre Lerche - official website\" href=\"http:\/\/www.sondrelerche.com\/news.asp?id=3\">Saul Bass-influenced design<\/A>), though last night&#8217;s performance was certainly a inviting introduction to them.  <\/p>\n<p>Not only were things a little more driven and a little more raucous, but they were a little twangier, too, with the addition of Kato (pronounced as though there were two Ts, not like <A HREF=\"http:\/\/www.firstpersonquiz.com\/kwouk_burt.html\">this guy&#8217;s name<\/A>) on pedal steel.  <img loading=\"lazy\" decoding=\"async\" alt=\"sondre_left.jpg\" src=\"http:\/\/www.doubleperf.com\/blog\/wp-content\/uploads\/2004\/05\/13\/sondre_left.jpg\" width=\"210\" height=\"250\" border=\"0\" align=\"left\" \/>The whole mix worked very well, with Lerche&#8217;s pseudo-Elvis swagger (possibly seen at left), about the last thing you&#8217;d expect from a 22 year-old Norwegian, and his band&#8217;s permanent, contagious happiness at being onstage.  And Lerche is the kind of musician who doesn&#8217;t think there&#8217;s anything wrong with talking to the audience between each song, which is refreshing.  Someone shouted out &#8220;Conan O&#8217;Brien!&#8221; in the middle of one break, and Lerche went into a weird little jump move on stage.  He tried to explain that it was his sort of Conan impression, but telling the story proved more trouble than it was worth.  <\/p>\n<p>The strangest thing about the evening was that five rows of chairs were set up around the stage, filled with rapt concertgoers ready for Charlotte Martin&#8217;s opening set.  After a dozen shows at the Paradise, I&#8217;d never seen chairs there; it&#8217;s a long way from Drew Bledsoe <A HREF=\"http:\/\/www.rollingstone.com\/news\/newsarticle.asp?nid=3761\">crushing an Everclear fan<\/A> by diving off the stage there a few years ago.  Paradise Guy was alive, which means he was there, and ready with binoculars in the fifth row, though I don&#8217;t think he needed them.  <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"sondre_big.jpg\" src=\"http:\/\/www.doubleperf.com\/blog\/wp-content\/uploads\/2004\/05\/13\/sondre_big.jpg\" width=\"500\" height=\"667\" border=\"0\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sondre Lerche played a terrific set at the Paradise last night, supported by, &#8220;for the first time ever, comma, in the City of Boston,&#8221; his band the Faces Down. It was the fourth time I&#8217;ve seen him, and the first time it was anything more than an energetic acoustic set. The band brought a great [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-141","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/posts\/141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/comments?post=141"}],"version-history":[{"count":1,"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/posts\/141\/revisions"}],"predecessor-version":[{"id":847,"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/posts\/141\/revisions\/847"}],"wp:attachment":[{"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/media?parent=141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/categories?post=141"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.doubleperf.com\/blog\/wp-json\/wp\/v2\/tags?post=141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}